Source code for pytheory.chords

from __future__ import annotations

from typing import Iterator, Optional, Union


[docs] class Chord:
[docs] def __init__(self, tones: list[Tone]) -> None: """Initialize a Chord from a list of Tone objects. Args: tones: A list of :class:`Tone` instances that make up the chord. """ self.tones = tones self._identify_cache: Optional[str] = None
[docs] @classmethod def from_tones(cls, *note_names: str, octave: int = 4) -> Chord: """Create a Chord from note name strings. Example:: >>> Chord.from_tones("C", "E", "G") <Chord C major> >>> Chord.from_tones("A", "C", "E", octave=3) <Chord A minor> """ from .tones import Tone return cls(tones=[ Tone.from_string(f"{n}{octave}", system="western") for n in note_names ])
[docs] @classmethod def from_name(cls, name: str, octave: int = 4) -> Chord: """Create a Chord from a chord name like ``"Cmaj7"`` or ``"Am"``. Uses the built-in chord chart to find the correct tones, then builds the chord at the given octave. Example:: >>> Chord.from_name("C") <Chord C major> >>> Chord.from_name("Am7") <Chord A minor 7th> >>> Chord.from_name("G7", octave=3) <Chord G dominant 7th> """ from .charts import CHARTS from .tones import Tone chart = CHARTS.get("western", {}) if name not in chart: raise ValueError(f"Unknown chord: {name!r}") named = chart[name] tones = [] for t in named.acceptable_tones: tones.append(Tone.from_string( f"{t.name}{octave}", system="western")) return cls(tones=tones)
[docs] @classmethod def from_intervals(cls, root: str, *intervals: int, octave: int = 4) -> Chord: """Create a Chord from a root note and semitone intervals. Example:: >>> Chord.from_intervals("C", 4, 7) # C major <Chord C major> >>> Chord.from_intervals("G", 4, 7, 10) # G7 <Chord G dominant 7th> >>> Chord.from_intervals("D", 3, 7) # D minor <Chord D minor> """ from .tones import Tone root_tone = Tone.from_string(f"{root}{octave}", system="western") tones = [root_tone] + [root_tone.add(i) for i in intervals] return cls(tones=tones)
[docs] @classmethod def from_midi_message(cls, *note_numbers: int) -> Chord: """Create a Chord from MIDI note numbers. Example:: >>> Chord.from_midi_message(60, 64, 67) # C4, E4, G4 <Chord C major> """ from .tones import Tone return cls(tones=[Tone.from_midi(n) for n in note_numbers])
# ── Symbol parsing ──────────────────────────────────────────────── # Maps chord suffix patterns to semitone interval tuples from root. _SYMBOL_INTERVALS = { # Triads "maj": (4, 7), "m": (3, 7), "min": (3, 7), "dim": (3, 6), "aug": (4, 8), "+": (4, 8), "sus2": (2, 7), "sus4": (5, 7), "5": (7,), # Seventh chords "maj7": (4, 7, 11), "M7": (4, 7, 11), "m7": (3, 7, 10), "min7": (3, 7, 10), "7": (4, 7, 10), "dom7": (4, 7, 10), "dim7": (3, 6, 9), "m7b5": (3, 6, 10), "mMaj7": (3, 7, 11), "aug7": (4, 8, 10), # Ninth chords "9": (4, 7, 10, 14), "maj9": (4, 7, 11, 14), "m9": (3, 7, 10, 14), "min9": (3, 7, 10, 14), # Sixth chords "6": (4, 7, 9), "m6": (3, 7, 9), # Add chords "add9": (4, 7, 14), "add11": (4, 7, 17), # Eleventh / thirteenth "11": (4, 7, 10, 14, 17), "13": (4, 7, 10, 14, 17, 21), } # Root note names — try longest match first (e.g. "C#" before "C"). _ROOT_NAMES = [ "A#", "Ab", "A", "Bb", "B", "C#", "Cb", "C", "D#", "Db", "D", "Eb", "E", "F#", "Fb", "F", "G#", "Gb", "G", ]
[docs] @classmethod def from_symbol(cls, symbol: str, octave: int = 4) -> Chord: """Create a Chord by parsing a standard chord symbol. Parses symbols like ``"Cmaj7"``, ``"F#m7b5"``, ``"Bbdim"``, ``"Gsus4"``, ``"Dadd9"`` — any root note followed by a quality suffix. Unlike ``from_name()``, this doesn't rely on a lookup table and can handle any combination. Args: symbol: A chord symbol string (e.g. ``"Am7"``, ``"Ebmaj9"``). octave: The octave for the root note (default 4). Returns: A new :class:`Chord` instance. Raises: ValueError: If the symbol can't be parsed. Example:: >>> Chord.from_symbol("C").identify() 'C major' >>> Chord.from_symbol("F#m7b5").identify() 'F# half-diminished 7th' >>> Chord.from_symbol("Bbmaj7").symbol 'Bbmaj7' """ from .tones import Tone # Parse root note root_name = None suffix = symbol for name in cls._ROOT_NAMES: if symbol.startswith(name): root_name = name suffix = symbol[len(name):] break if root_name is None: raise ValueError(f"Cannot parse root note from: {symbol!r}") # Empty suffix or just "maj" = major triad if suffix == "" or suffix == "M": intervals = (4, 7) else: # Try longest suffix match first intervals = None for length in range(len(suffix), 0, -1): candidate = suffix[:length] if candidate in cls._SYMBOL_INTERVALS: intervals = cls._SYMBOL_INTERVALS[candidate] break if intervals is None: raise ValueError( f"Unknown chord quality: {suffix!r} in {symbol!r}") root = Tone.from_string(f"{root_name}{octave}", system="western") tones = [root] + [root.add(i) for i in intervals] return cls(tones=tones)
[docs] def __repr__(self) -> str: name = self.identify() if name: return f"<Chord {name}>" l = tuple([tone.full_name for tone in self.tones]) return f"<Chord tones={l!r}>"
def __str__(self) -> str: name = self.identify() if name: return name return " ".join(t.full_name for t in self.tones)
[docs] def __iter__(self) -> Iterator[Tone]: """Iterate over the tones in this chord.""" return iter(self.tones)
[docs] def __len__(self) -> int: """Return the number of tones in this chord.""" return len(self.tones)
[docs] def __contains__(self, item: Union[str, Tone]) -> bool: """Check if a tone (by name or Tone object) is in this chord.""" if isinstance(item, str): return any(item == t.name for t in self.tones) return item in self.tones
def __add__(self, other: Chord) -> Chord: """Merge two chords into one (layer their tones). Example:: >>> c_major = Chord.from_tones("C", "E", "G") >>> g_bass = Chord.from_tones("G", octave=2) >>> slash = c_major + g_bass # C/G """ if isinstance(other, Chord): return Chord(tones=list(self.tones) + list(other.tones)) return NotImplemented
[docs] def tritone_sub(self) -> Chord: """Return the tritone substitution of this chord. In jazz harmony, any dominant chord can be replaced by the dominant chord a tritone (6 semitones) away. G7 → Db7, C7 → F#7. This works because the two chords share the same tritone interval (the 3rd and 7th swap roles). Returns a new Chord transposed by 6 semitones. """ return self.transpose(6)
[docs] def inversion(self, n: int = 1) -> Chord: """Return the nth inversion of this chord. An inversion moves the lowest tone(s) up by one octave: - 0th inversion = root position (unchanged) - 1st inversion = move root up an octave - 2nd inversion = move root and 3rd up an octave Example:: >>> c_major = Chord([C4, E4, G4]) >>> c_major.inversion(1) # E4, G4, C5 >>> c_major.inversion(2) # G4, C5, E5 """ if n == 0: return Chord(tones=list(self.tones)) tones = list(self.tones) for _ in range(n): if not tones: break tone = tones.pop(0) tones.append(tone.add(12)) result = Chord(tones=tones) result._identify_cache = None return result
[docs] def transpose(self, semitones: int) -> Chord: """Return a new Chord transposed by the given number of semitones. Every tone in the chord is shifted up (positive) or down (negative) by the same interval, preserving the chord's quality and voicing. Example:: >>> c_major = Chord([C4, E4, G4]) >>> c_major.transpose(7).identify() 'G major' """ result = Chord(tones=[t.add(semitones) for t in self.tones]) result._identify_cache = None return result
[docs] def close_voicing(self) -> Chord: """Rearrange tones so they are packed within one octave ascending from root. All tones are brought into the same octave as the root and sorted ascending by pitch class. Example:: >>> Chord.from_symbol("C").inversion(2).close_voicing().identify() 'C major' """ if not self.tones: return Chord(tones=[]) root = self.tones[0] root_octave = root.octave or 4 result = [root] for t in self.tones[1:]: # Bring into root octave, above root interval = (t - root) % 12 if interval == 0: interval = 12 new_tone = root.add(interval) result.append(new_tone) # Sort by interval from root (skip root itself) result = [result[0]] + sorted(result[1:], key=lambda t: (t - root) % 12) return Chord(tones=result)
[docs] def open_voicing(self) -> Chord: """Spread tones across two octaves by moving alternating tones up an octave. Starting from close voicing, every other non-root tone (indices 1, 3, ...) is raised by an octave, creating a wider, more open sound. Example:: >>> c = Chord.from_symbol("Cmaj7").open_voicing() >>> len(c.tones) 4 """ closed = self.close_voicing() tones = list(closed.tones) for i in range(1, len(tones)): if i % 2 == 1: tones[i] = tones[i].add(12) return Chord(tones=tones)
[docs] def drop2(self) -> Chord: """Drop-2 voicing: take the second-highest voice and drop it down an octave. A standard jazz guitar voicing technique that creates wider spacing between voices while maintaining harmonic function. Example:: >>> Chord.from_symbol("Cmaj7").drop2() <Chord C major 7th> """ closed = self.close_voicing() tones = list(closed.tones) if len(tones) < 2: return Chord(tones=tones) # Second-highest is index -2 dropped = tones[-2].add(-12) new_tones = [dropped] + tones[:-2] + [tones[-1]] return Chord(tones=new_tones)
[docs] def drop3(self) -> Chord: """Drop-3 voicing: take the third-highest voice and drop it down an octave. Creates an even wider voicing than drop-2. Common in big band arranging and guitar chord melody. Example:: >>> Chord.from_symbol("Cmaj7").drop3() <Chord C major 7th> """ closed = self.close_voicing() tones = list(closed.tones) if len(tones) < 3: return Chord(tones=tones) # Third-highest is index -3 dropped = tones[-3].add(-12) new_tones = [dropped] + tones[:-3] + tones[-2:] return Chord(tones=new_tones)
[docs] def extensions(self, scale=None) -> list: """Suggest available chord extensions (9th, 11th, 13th). If a scale is provided, extensions are checked against the scale. Otherwise, extensions are checked to be at least a whole step from existing chord tones (the "avoid note" rule). Args: scale: Optional Scale object to check extensions against. Returns: A list of Tone objects representing valid extensions. Example:: >>> Chord.from_symbol("C").extensions() [<Tone D5>, <Tone A5>] """ from .tones import Tone if not self.tones: return [] root = self.tones[0] # Extension intervals from root in semitones ext_intervals = { "9th": 14, # major 9th "11th": 17, # perfect 11th "13th": 21, # major 13th } chord_pcs = set() for t in self.tones: chord_pcs.add((t - root) % 12) result = [] for name, interval in ext_intervals.items(): ext_tone = root.add(interval) ext_pc = interval % 12 if scale is not None: # Check if the extension is in the scale scale_names = [st.name for st in scale.tones] if ext_tone.name in scale_names: result.append(ext_tone) else: # "Avoid note" rule: extension must be at least 2 semitones # from every existing chord tone (pitch class) is_available = True for pc in chord_pcs: diff = min((ext_pc - pc) % 12, (pc - ext_pc) % 12) if diff < 2: is_available = False break if is_available: result.append(ext_tone) return result
@property def root(self) -> Optional[Tone]: """The root of this chord (if identifiable). Returns the Tone that serves as the root based on chord identification, or None if the chord can't be identified. """ chord_id = self.identify() if not chord_id: return None root_name = chord_id.split(" ", 1)[0] for t in self.tones: if t.name == root_name: return t return None @property def quality(self) -> Optional[str]: """The quality of this chord (e.g. 'major', 'minor 7th'). Returns the quality string from chord identification, or None if the chord can't be identified. """ chord_id = self.identify() if not chord_id: return None parts = chord_id.split(" ", 1) return parts[1] if len(parts) > 1 else None @property def intervals(self) -> list[int]: """Semitone distances between adjacent tones in the chord. Returns a list of integers, where each value is the absolute number of semitones between consecutive tones. This is octave-invariant — a major third is always 4 semitones whether it's C4→E4 or C6→E6. Common interval values:: 1 = minor 2nd (half step) 2 = major 2nd (whole step) 3 = minor 3rd 4 = major 3rd 5 = perfect 4th 6 = tritone 7 = perfect 5th 12 = octave Example:: >>> c_major = Chord(tones=[C4, E4, G4]) >>> c_major.intervals [4, 3] # major 3rd + minor 3rd Returns an empty list for chords with fewer than 2 tones. """ if len(self.tones) < 2: return [] return [abs(self.tones[i] - self.tones[i - 1]) for i in range(1, len(self.tones))] @property def harmony(self) -> float: """Consonance score based on frequency ratio simplicity. Computed by examining the frequency ratio between every pair of tones, reducing it to its simplest fractional form (limited to denominators ≤ 32), and summing ``1 / (numerator + denominator)``. The psychoacoustic basis: intervals whose frequencies form simple integer ratios are perceived as consonant. A perfect fifth (3:2) scores higher than a tritone (45:32) because simpler ratios produce fewer interfering overtones. Reference consonance scores for common intervals:: Octave (2:1) → 1/(2+1) = 0.333 Perfect 5th (3:2) → 1/(3+2) = 0.200 Perfect 4th (4:3) → 1/(4+3) = 0.143 Major 3rd (5:4) → 1/(5+4) = 0.111 Tritone (45:32) → 1/(45+32) = 0.013 For chords with multiple tones, all pairwise ratios are summed — a C major triad (C-E-G) scores higher than C-E-Gb because the C-G fifth contributes a large consonance term. Returns 0 for chords with fewer than 2 tones. """ if len(self.tones) < 2: return 0 from fractions import Fraction score = 0.0 for i in range(len(self.tones)): for j in range(i + 1, len(self.tones)): f1 = self.tones[i].pitch() f2 = self.tones[j].pitch() if f1 == 0 or f2 == 0: continue ratio = Fraction(f2 / f1).limit_denominator(32) score += 1.0 / (ratio.numerator + ratio.denominator) return score @property def dissonance(self) -> float: """Sensory dissonance score using the Plomp-Levelt roughness model. When two tones are close in frequency, their waveforms interfere and produce a perceived "roughness." This roughness peaks when the frequency difference is about 25% of the critical bandwidth (roughly 1/4 of the lower frequency) and diminishes for wider or narrower separations. The model: for each pair of tones, compute ``x = freq_diff / critical_bandwidth`` using the Bark-scale critical bandwidth formula (Zwicker & Terhardt, 1980): ``CB = 25 + 75 * (1 + 1.4 * (f/1000)^2)^0.69`` then apply the Plomp-Levelt curve ``x * e^(1-x)``. This peaks at x=1 (maximum roughness) and decays for larger intervals. Practical implications: - A minor 2nd (C4-Db4, ~15 Hz apart) produces high roughness - A major 3rd (C4-E4, ~68 Hz apart) produces moderate roughness - A perfect 5th (C4-G4, ~130 Hz apart) produces low roughness - Roughness is frequency-dependent: the same interval sounds rougher in lower registers because the critical bandwidth is narrower relative to the frequency difference Based on: Plomp, R. & Levelt, W.J.M. (1965). "Tonal consonance and critical bandwidth." *Journal of the Acoustical Society of America*, 38(4), 548-560. Returns 0 for chords with fewer than 2 tones. """ if len(self.tones) < 2: return 0 import math roughness = 0.0 for i in range(len(self.tones)): for j in range(i + 1, len(self.tones)): f1 = self.tones[i].pitch() f2 = self.tones[j].pitch() f_min = min(f1, f2) f_max = max(f1, f2) if f_min == 0: continue # Bark-scale critical bandwidth (Zwicker & Terhardt, 1980) cb = 25 + 75 * (1 + 1.4 * (f_min / 1000) ** 2) ** 0.69 diff = f_max - f_min if cb > 0: x = diff / cb roughness += x * math.exp(1 - x) if x > 0 else 0 return roughness @property def beat_frequencies(self) -> list[tuple[Tone, Tone, float]]: """Beat frequencies (Hz) between all pairs of tones in the chord. When two tones with frequencies f1 and f2 are played together, their waveforms interfere and produce an amplitude modulation at the *beat frequency*: ``|f1 - f2|`` Hz. Perceptual ranges: - **< 1 Hz**: very slow pulsing, used in tuning (e.g. tuning a guitar string against a reference — you hear the beats slow down as you approach the correct pitch) - **1–15 Hz**: audible beating, perceived as a rhythmic pulse - **15–30 Hz**: transition zone — too fast for individual beats, perceived as roughness/buzzing - **> 30 Hz**: no longer perceived as beating; becomes part of the perceived timbre or is heard as a difference tone Returns a list of ``(tone_a, tone_b, beat_hz)`` tuples sorted by beat frequency ascending (slowest/most perceptible first). Example:: >>> chord = Chord(tones=[A4, A4_slightly_sharp]) >>> chord.beat_frequencies [(A4, A4+, 2.5)] # 2.5 Hz beating — clearly audible Returns an empty list for chords with fewer than 2 tones. """ if len(self.tones) < 2: return [] beats = [] for i in range(len(self.tones)): for j in range(i + 1, len(self.tones)): f1 = self.tones[i].pitch() f2 = self.tones[j].pitch() beats.append((self.tones[i], self.tones[j], abs(f1 - f2))) return sorted(beats, key=lambda b: b[2]) @property def beat_pulse(self) -> float: """The slowest (most perceptible) beat frequency in the chord, in Hz. This is the beat frequency between the two tones closest in pitch — the pair that produces the most audible amplitude modulation. In a well-tuned chord this value is typically 0 (unison pairs) or very large (distinct intervals); a non-zero value under ~15 Hz indicates perceptible beating that may suggest the chord is slightly out of tune. Returns 0 for chords with fewer than 2 tones, or when all tones are identical (perfect unison). """ beats = self.beat_frequencies if not beats: return 0 for _, _, hz in beats: if hz > 0: return hz return 0 # ── Chord quality patterns (semitones from root) ────────────────── _CHORD_PATTERNS = { "major": {0, 4, 7}, "minor": {0, 3, 7}, "diminished": {0, 3, 6}, "augmented": {0, 4, 8}, "sus2": {0, 2, 7}, "sus4": {0, 5, 7}, "power": {0, 7}, "dominant 7th": {0, 4, 7, 10}, "major 7th": {0, 4, 7, 11}, "minor 7th": {0, 3, 7, 10}, "diminished 7th": {0, 3, 6, 9}, "half-diminished 7th": {0, 3, 6, 10}, "minor-major 7th": {0, 3, 7, 11}, "augmented 7th": {0, 4, 8, 10}, "dominant 9th": {0, 2, 4, 7, 10}, "major 9th": {0, 2, 4, 7, 11}, "minor 9th": {0, 2, 3, 7, 10}, }
[docs] def identify(self) -> Optional[str]: """Identify this chord by name (root + quality). Tries each tone as a potential root and checks if the remaining intervals match a known chord pattern. Returns the name with the simplest match (fewest tones in the pattern preferred for ties). Known patterns include major, minor, diminished, augmented, sus2, sus4, power chords, and all common 7th/9th chords. Returns: A string like ``"C major"``, ``"A minor 7th"``, or ``None`` if no known pattern matches. Example:: >>> Chord([C4, E4, G4]).identify() 'C major' >>> Chord([A4, C5, E5]).identify() 'A minor' """ if self._identify_cache is not None: return self._identify_cache if len(self.tones) < 2: return None from .tones import Tone for root in self.tones: pitch_classes = set() for tone in self.tones: interval = (tone - root) % 12 pitch_classes.add(interval) for name, pattern in self._CHORD_PATTERNS.items(): if pitch_classes == pattern: self._identify_cache = f"{root.name} {name}" return self._identify_cache return None
_SYMBOL_MAP = { "major": "", "minor": "m", "diminished": "dim", "augmented": "aug", "sus2": "sus2", "sus4": "sus4", "power": "5", "dominant 7th": "7", "major 7th": "maj7", "minor 7th": "m7", "diminished 7th": "dim7", "half-diminished 7th": "m7b5", "minor-major 7th": "mMaj7", "augmented 7th": "aug7", "dominant 9th": "9", "major 9th": "maj9", "minor 9th": "m9", } @property def symbol(self) -> Optional[str]: """Standard chord symbol (e.g. ``"Cmaj7"``, ``"Dm"``, ``"G7"``). Returns the compact notation used in lead sheets and fake books, or ``None`` if the chord can't be identified. Example:: >>> Chord([C4, E4, G4]).symbol 'C' >>> Chord([C4, E4, G4, B4]).symbol 'Cmaj7' >>> Chord([A4, C5, E5]).symbol 'Am' >>> Chord([G4, B4, D5, F5]).symbol 'G7' """ name = self.identify() if not name: return None parts = name.split(" ", 1) root = parts[0] quality = parts[1] if len(parts) > 1 else "major" suffix = self._SYMBOL_MAP.get(quality, quality) return f"{root}{suffix}"
[docs] def voice_leading(self, other: Chord) -> list[tuple[Tone, Tone, int]]: """Find the smoothest voice leading to another chord. Voice leading is the art of moving individual voices (tones) from one chord to the next with minimal motion. Good voice leading prefers stepwise motion (1-2 semitones) and contrary motion between voices. This method finds the assignment of tones that minimizes the total semitone movement. For chords of different sizes, extra tones are held or dropped as needed. Args: other: The target :class:`Chord` to voice-lead to. Returns: A list of ``(from_tone, to_tone, semitones)`` tuples describing how each voice moves. Sorted by voice (highest to lowest). ``semitones`` is signed: positive = up, negative = down. Example:: >>> c_major = Chord([C4, E4, G4]) >>> f_major = Chord([C4, F4, A4]) >>> c_major.voice_leading(f_major) [(<Tone G4>, <Tone A4>, 2), (<Tone E4>, <Tone F4>, 1), (<Tone C4>, <Tone C4>, 0)] """ import itertools src = list(self.tones) dst = list(other.tones) while len(src) < len(dst): src.append(src[-1]) while len(dst) < len(src): dst.append(dst[-1]) best_cost = float("inf") best_assignment = None for perm in itertools.permutations(range(len(dst))): cost = sum(abs(src[i] - dst[perm[i]]) for i in range(len(src))) if cost < best_cost: best_cost = cost best_assignment = perm result = [] for i, j in enumerate(best_assignment): movement = dst[j] - src[i] result.append((src[i], dst[j], movement)) return sorted(result, key=lambda v: v[0].pitch(), reverse=True)
[docs] def analyze(self, key_tonic: Union[str, Tone], mode: str = "major") -> Optional[str]: """Roman numeral analysis of this chord relative to a key. In tonal music, every chord has a **function** determined by its relationship to the key center. The Roman numeral system describes this: uppercase for major chords, lowercase for minor, with degree symbols for diminished. Args: key_tonic: The tonic note name (e.g. ``"C"``) or a Tone. mode: ``"major"`` or ``"minor"`` (default ``"major"``). Returns: A string like ``"I"``, ``"IV"``, ``"V7"``, ``"ii"``, ``"vi"``, or ``None`` if the chord doesn't fit the key. Example:: >>> Chord([C4, E4, G4]).analyze("C") 'I' >>> Chord([G4, B4, D5]).analyze("C") 'V' >>> Chord([D4, F4, A4]).analyze("C") 'ii' """ from ._statics import int2roman from .scales import TonedScale from .systems import SYSTEMS from .tones import Tone if isinstance(key_tonic, str): key_tonic_tone = Tone.from_string(key_tonic + "4", system="western") else: key_tonic_tone = key_tonic system = key_tonic_tone._system or SYSTEMS.get( key_tonic_tone.system_name, SYSTEMS["western"]) scale = TonedScale(tonic=key_tonic_tone.full_name, system=system)[mode] chord_id = self.identify() if not chord_id: return None parts = chord_id.split(" ", 1) root_name = parts[0] quality = parts[1] if len(parts) > 1 else "" scale_names = [t.name for t in scale.tones[:-1]] def _build_numeral(root, quality, degree_idx, prefix=""): numeral_str = int2roman(degree_idx + 1) suffix = "" if "minor" in quality: numeral_str = numeral_str.lower() if "diminished" in quality: numeral_str = numeral_str.lower() suffix = "dim" if "augmented" in quality: suffix = "+" if "7th" in quality: suffix += "7" if "9th" in quality: suffix += "9" return prefix + numeral_str + suffix # Diatonic match if root_name in scale_names: degree_idx = scale_names.index(root_name) return _build_numeral(root_name, quality, degree_idx) # Chromatic / borrowed chord — find by semitone distance from tonic tonic_tone = scale.tones[0] root_tone = Tone.from_string(root_name + "4", system="western") semitones = (root_tone - tonic_tone) % 12 # Map semitone distances to flat-degree labels chromatic_degrees = { 1: ("b", 1), 3: ("b", 2), 6: ("b", 4), 8: ("b", 5), 10: ("b", 6), } if semitones in chromatic_degrees: prefix, deg_idx = chromatic_degrees[semitones] return _build_numeral(root_name, quality, deg_idx, prefix=prefix) return None
@property def tension(self) -> dict: """Harmonic tension score and resolution suggestions. Tension in tonal music arises from specific intervallic content — primarily the **tritone** (6 semitones), the most unstable interval in Western harmony. The dominant 7th chord (e.g. G7 = G-B-D-F) contains a tritone between B and F, which "wants" to resolve: B pulls up to C, F pulls down to E. This property analyzes: - **Tritone count**: each tritone adds significant tension - **Minor 2nd count**: semitone clashes add dissonance - **Dominant function**: the combination of major 3rd + minor 7th is the strongest tendency tone pattern in Western music Returns: A dict with: - ``score`` (float): 0.0 = fully resolved, 1.0 = max tension - ``tritones`` (int): number of tritone intervals - ``minor_seconds`` (int): number of semitone clashes - ``has_dominant_function`` (bool): contains the 3-7 tritone Example:: >>> g7 = Chord([G4, B4, D5, F5]) >>> g7.tension['has_dominant_function'] True >>> g7.tension['tritones'] 1 """ if len(self.tones) < 2: return {"score": 0.0, "tritones": 0, "minor_seconds": 0, "has_dominant_function": False} tritones = 0 minor_seconds = 0 for i in range(len(self.tones)): for j in range(i + 1, len(self.tones)): interval = abs(self.tones[i] - self.tones[j]) % 12 if interval == 6: tritones += 1 if interval == 1 or interval == 11: minor_seconds += 1 has_dominant = False chord_id = self.identify() if chord_id and "dominant" in chord_id: has_dominant = True score = min(1.0, (tritones * 0.35) + (minor_seconds * 0.15) + (0.25 if has_dominant else 0.0)) return { "score": score, "tritones": tritones, "minor_seconds": minor_seconds, "has_dominant_function": has_dominant, }
[docs] def slash(self, bass_note: str, *, octave: int = 3) -> Chord: """Return a slash chord — this chord over a different bass note. Slash chords (e.g. C/G, Am/E) place a specific note in the bass voice below the rest of the chord. They're written as ``Chord/Bass`` in lead sheets and are used for bass lines that move stepwise beneath held chords. Common uses: - **C/E** — first inversion, smooth bass line C→D→E - **C/G** — second inversion, strong bass on the fifth - **D/F#** — passing tone in bass, very common in pop Args: bass_note: Note name for the bass (e.g. ``"G"``, ``"F#"``). octave: Octave for the bass note (default 3, one below middle). Returns: A new Chord with the bass note prepended. Example:: >>> Chord.from_symbol("C").slash("G") <Chord C major> """ from .tones import Tone bass = Tone.from_string(f"{bass_note}{octave}", system="western") return Chord(tones=[bass] + list(self.tones))
@property def slash_name(self) -> Optional[str]: """Slash chord name if the lowest tone isn't the root. Returns ``"C/G"`` style notation when the bass differs from the chord root, or the plain symbol otherwise. Example:: >>> Chord.from_symbol("C").slash("E").slash_name 'C/E' """ sym = self.symbol if not sym: return None root = self.root if root is None: return sym bass = self.tones[0] if bass.name != root.name: return f"{sym}/{bass.name}" return sym
[docs] def add_tone(self, tone) -> Chord: """Return a new Chord with an additional tone. Example:: >>> c_major = Chord.from_tones("C", "E", "G") >>> c_major.add_tone(Tone.from_string("B4", system="western")) <Chord C major 7th> """ return Chord(tones=list(self.tones) + [tone])
[docs] def remove_tone(self, tone_name: str) -> Chord: """Return a new Chord with tones of the given name removed. Args: tone_name: The note name to remove (e.g. "G"). Example:: >>> cmaj7 = Chord.from_name("Cmaj7") >>> cmaj7.remove_tone("B") # Remove the 7th <Chord C major> """ return Chord(tones=[t for t in self.tones if t.name != tone_name])
# ── Figured Bass ───────────────────────────────────────────────── @property def figured_bass(self) -> Optional[str]: """Return figured bass notation for this chord. Figured bass describes the intervals above the lowest note. Used in classical music theory and continuo playing. Returns: A string like ``"6"``, ``"6/4"``, ``"7"``, ``"6/5"``, ``"4/3"``, ``"2"``, or ``""`` for root position triads. None if the chord can't be identified. Example:: >>> Chord([C4, E4, G4]).figured_bass # root position '' >>> Chord([E4, G4, C5]).figured_bass # first inversion '6' >>> Chord([G4, C5, E5]).figured_bass # second inversion '6/4' """ chord_id = self.identify() if not chord_id: return None # Find root name from identification root_name = chord_id.split(" ", 1)[0] quality = chord_id.split(" ", 1)[1] if " " in chord_id else "" is_seventh = "7th" in quality or "9th" in quality # Find the bass note (lowest by pitch) bass = min(self.tones, key=lambda t: t.pitch()) bass_name = bass.name # Check if bass is the root (handle enharmonics) if bass_name == root_name: # Root position if is_seventh: return "7" return "" # Find root tone object root_tone = None for t in self.tones: if t.name == root_name: root_tone = t break if root_tone is None: return None # Determine which chord degree the bass is bass_interval = (bass - root_tone) % 12 # Get the pattern for this quality pattern = self._CHORD_PATTERNS.get(quality) if pattern is None: return None sorted_pattern = sorted(pattern) if bass_interval not in sorted_pattern: return None inversion = sorted_pattern.index(bass_interval) if is_seventh: fb_map = {0: "7", 1: "6/5", 2: "4/3", 3: "2"} return fb_map.get(inversion, None) else: fb_map = {0: "", 1: "6", 2: "6/4"} return fb_map.get(inversion, None)
[docs] def analyze_figured(self, key_tonic, mode="major") -> Optional[str]: """Roman numeral analysis with figured bass inversion symbols. Combines the Roman numeral from :meth:`analyze` with the figured bass symbol from :attr:`figured_bass`. Args: key_tonic: The tonic note name (e.g. ``"C"``) or a Tone. mode: ``"major"`` or ``"minor"`` (default ``"major"``). Returns: A string like ``"V7"``, ``"ii6"``, or ``None``. Example:: >>> Chord([G4, B4, D5, F5]).analyze_figured("C") 'V7' """ roman = self.analyze(key_tonic, mode) if roman is None: return None fb = self.figured_bass if fb is None: return roman # Don't duplicate "7" — if the Roman numeral already ends with "7" # and figured bass is just "7" (root position seventh), skip it. if fb == "7" and roman.endswith("7"): return roman if fb: return f"{roman}{fb}" return roman
# ── Pitch Class Set Theory ───────────────────────────────────── # Forte number catalog for trichords and tetrachords. _FORTE_NUMBERS = { # Trichords (3 notes) (0, 1, 2): "3-1", (0, 1, 3): "3-2", (0, 1, 4): "3-3", (0, 1, 5): "3-4", (0, 1, 6): "3-5", (0, 2, 4): "3-6", (0, 2, 5): "3-7", (0, 2, 6): "3-8", (0, 2, 7): "3-9", (0, 3, 6): "3-10", (0, 3, 7): "3-11", # major/minor triad (0, 4, 8): "3-12", # augmented triad # Tetrachords (4 notes) (0, 1, 2, 3): "4-1", (0, 1, 2, 4): "4-2", (0, 1, 3, 4): "4-3", (0, 1, 2, 5): "4-4", (0, 1, 2, 6): "4-5", (0, 1, 2, 7): "4-6", (0, 1, 4, 5): "4-7", (0, 1, 5, 6): "4-8", (0, 1, 6, 7): "4-9", (0, 2, 3, 5): "4-10", (0, 1, 3, 5): "4-11", (0, 2, 3, 6): "4-12", (0, 1, 3, 6): "4-13", (0, 2, 3, 7): "4-14", (0, 1, 4, 6): "4-z15", (0, 1, 5, 7): "4-16", (0, 3, 4, 7): "4-17", (0, 1, 4, 7): "4-18", (0, 1, 4, 8): "4-19", (0, 1, 5, 8): "4-20", (0, 2, 4, 6): "4-21", (0, 2, 4, 7): "4-22", (0, 2, 5, 7): "4-23", (0, 2, 4, 8): "4-24", (0, 2, 6, 8): "4-25", (0, 3, 5, 8): "4-26", (0, 2, 5, 8): "4-27", (0, 3, 6, 9): "4-28", # diminished 7th (0, 1, 3, 7): "4-z29", } @property def pitch_classes(self) -> set: """Return the set of pitch classes (0-11) in this chord. Pitch class 0 = C, 1 = C#/Db, 2 = D, ..., 11 = B. Octave information is removed. Example:: >>> Chord([C4, E4, G4]).pitch_classes {0, 4, 7} """ from ._statics import C_INDEX result = set() for tone in self.tones: pc = (tone._index - C_INDEX) % 12 result.add(pc) return result @staticmethod def _find_normal_form(pcs_sorted): """Find the normal form of a sorted list of pitch classes.""" n = len(pcs_sorted) if n <= 1: return tuple(pcs_sorted) best = None best_span = 13 for start in range(n): rotation = [pcs_sorted[(start + i) % n] for i in range(n)] span = (rotation[-1] - rotation[0]) % 12 if span < best_span: best_span = span best = rotation elif span == best_span: # Tiebreak: compare intervals from bottom for k in range(1, n): a = (rotation[k] - rotation[0]) % 12 b = (best[k] - best[0]) % 12 if a < b: best = rotation break elif a > b: break return tuple(best) @property def normal_form(self) -> tuple: """Return the normal form -- most compact ascending arrangement. The normal form is the rotation of pitch classes that spans the smallest interval. This is used in set theory analysis. Example:: >>> Chord([C4, E4, G4]).normal_form (0, 4, 7) """ pcs = sorted(self.pitch_classes) return self._find_normal_form(pcs) @property def prime_form(self) -> tuple: """Return the prime form -- transposed to start on 0, most compact. Prime form is the canonical representation used for Forte number lookup. It compares the normal form of the set and its inversion, picks whichever is more compact, and transposes to start on 0. Example:: >>> Chord([C4, E4, G4]).prime_form (0, 4, 7) >>> Chord([A4, C5, E5]).prime_form # minor triad (0, 3, 7) """ nf = self.normal_form if len(nf) <= 1: return (0,) * len(nf) if nf else () # Transpose normal form to start on 0 t0 = nf[0] nf_transposed = tuple((pc - t0) % 12 for pc in nf) # Compute inversion: 12 - each pc inv_pcs = sorted(set((12 - pc) % 12 for pc in self.pitch_classes)) inv_nf = self._find_normal_form(inv_pcs) inv_t0 = inv_nf[0] inv_transposed = tuple((pc - inv_t0) % 12 for pc in inv_nf) # Pick whichever is more compact (smaller intervals from bottom) for a, b in zip(nf_transposed, inv_transposed): if a < b: return nf_transposed elif a > b: return inv_transposed return nf_transposed @property def forte_number(self) -> Optional[str]: """Return the Forte number for this pitch class set. Forte numbers catalog all possible pitch class sets by cardinality and ordering. They are the standard reference in post-tonal theory. Example:: >>> Chord([C4, E4, G4]).forte_number '3-11' >>> Chord([C4, E4, G4, Bb4]).forte_number '4-27' """ pf = self.prime_form return self._FORTE_NUMBERS.get(pf, None)
[docs] def fingering(self, *positions: int) -> "Fingering": """Apply fret positions to each tone, returning a Fingering. Each position value is added (in semitones) to the corresponding tone. The number of positions must match the number of tones. Args: *positions: One integer per tone indicating the fret offset. Returns: A :class:`Fingering` labeled with tone names. Raises: ValueError: If the number of positions doesn't match the number of tones. """ from .charts import Fingering if not len(positions) == len(self.tones): raise ValueError( "The number of positions must match the number of tones (strings)." ) string_names = tuple(t.name for t in self.tones) return Fingering(positions, string_names)
[docs] class Fretboard:
[docs] def __init__(self, *, tones: list[Tone]) -> None: """Initialize a Fretboard from a list of open-string Tone objects. Args: tones: A list of :class:`Tone` instances representing the open strings (high to low). """ self.tones = tones
[docs] def __repr__(self) -> str: l = tuple([tone.full_name for tone in self.tones]) return f"<Fretboard tones={l!r}>"
[docs] def capo(self, fret: int) -> Fretboard: """Return a new Fretboard with a capo at the given fret. A `capo <https://en.wikipedia.org/wiki/Capo>`_ clamps across all strings at a fret, raising every string's pitch by that many semitones. This lets you play open chord shapes in higher keys. Common uses: - Capo 2 + G shapes = A major voicings - Capo 4 + C shapes = E major voicings - Capo 7 + D shapes = A major voicings (bright, high register) Example:: >>> fb = Fretboard.guitar(capo=2) >>> # Open strings are now F#4 C#4 A3 E3 B2 F#2 >>> # Playing a "G shape" sounds as A major Args: fret: The fret number to place the capo (1-12). Returns: A new Fretboard with all strings raised by ``fret`` semitones. """ return Fretboard(tones=[t.add(fret) for t in self.tones])
[docs] def __iter__(self) -> Iterator[Tone]: """Iterate over the open-string tones of this fretboard.""" return iter(self.tones)
[docs] def __len__(self) -> int: """Return the number of strings on this fretboard.""" return len(self.tones)
INSTRUMENTS = [ "guitar", "twelve_string", "bass", "ukulele", "mandolin", "mandola", "octave_mandolin", "mandocello", "violin", "viola", "cello", "double_bass", "banjo", "harp", "pedal_steel", "keyboard", "bouzouki", "oud", "sitar", "shamisen", "erhu", "charango", "pipa", "balalaika", "lute", ] """List of all available instrument preset names.""" TUNINGS = { "standard": ("E4", "B3", "G3", "D3", "A2", "E2"), "drop d": ("E4", "B3", "G3", "D3", "A2", "D2"), "open g": ("D4", "B3", "G3", "D3", "G2", "D2"), "open d": ("D4", "A3", "F#3", "D3", "A2", "D2"), "open e": ("E4", "B3", "G#3", "E3", "B2", "E2"), "open a": ("E4", "C#4", "A3", "E3", "A2", "E2"), "dadgad": ("D4", "A3", "G3", "D3", "A2", "D2"), "half step down": ("D#4", "A#3", "F#3", "C#3", "G#2", "D#2"), }
[docs] @classmethod def guitar(cls, tuning: Union[str, tuple[str, ...]] = "standard", capo: int = 0) -> Fretboard: """Guitar with the given tuning and optional capo. Args: tuning: Tuning name or tuple of tone strings (high to low). Built-in tunings: standard, drop d, open g, open d, open e, open a, dadgad, half step down. capo: Fret number for the capo (0 = no capo). Raises all strings by this many semitones. """ from .tones import Tone if isinstance(tuning, str): tuning = cls.TUNINGS[tuning] fb = cls(tones=[Tone.from_string(t, system="western") for t in tuning]) if capo: fb = fb.capo(capo) return fb
[docs] @classmethod def bass(cls, five_string: bool = False) -> Fretboard: """Standard bass guitar tuning. Args: five_string: If True, adds a low B string (B0). """ from .tones import Tone strings = ["G2", "D2", "A1", "E1"] if five_string: strings.append("B0") return cls(tones=[Tone.from_string(t, system="western") for t in strings])
[docs] @classmethod def ukulele(cls) -> Fretboard: """Standard ukulele tuning (A4 E4 C4 G4). Re-entrant tuning: the G4 string is higher than C4. """ from .tones import Tone return cls(tones=[ Tone.from_string("A4", system="western"), Tone.from_string("E4", system="western"), Tone.from_string("C4", system="western"), Tone.from_string("G4", system="western"), ])
[docs] @classmethod def mandolin(cls) -> Fretboard: """Standard mandolin tuning (E5 A4 D4 G3). Tuned in fifths, same as a violin but one octave relationship. Strings are typically doubled (paired courses). """ from .tones import Tone return cls(tones=[ Tone.from_string("E5", system="western"), Tone.from_string("A4", system="western"), Tone.from_string("D4", system="western"), Tone.from_string("G3", system="western"), ])
[docs] @classmethod def mandola(cls) -> Fretboard: """Standard mandola tuning (A4 D4 G3 C3). The mandola (or tenor mandola) is to the mandolin what the viola is to the violin — a fifth lower, with a warmer, darker tone. Tuned in fifths like all the mandolin family. """ from .tones import Tone return cls(tones=[ Tone.from_string("A4", system="western"), Tone.from_string("D4", system="western"), Tone.from_string("G3", system="western"), Tone.from_string("C3", system="western"), ])
[docs] @classmethod def octave_mandolin(cls) -> Fretboard: """Octave mandolin tuning (E4 A3 D3 G2). Also called the octave mandola in European terminology. One octave below the mandolin — same tuning as the violin family's cello-to-violin relationship. Popular in Irish and Celtic folk music. """ from .tones import Tone return cls(tones=[ Tone.from_string("E4", system="western"), Tone.from_string("A3", system="western"), Tone.from_string("D3", system="western"), Tone.from_string("G2", system="western"), ])
[docs] @classmethod def mandocello(cls) -> Fretboard: """Mandocello tuning (A3 D3 G2 C2). The bass of the mandolin family. Tuned like a cello — an octave below the mandola. Rare but beautiful; used in mandolin orchestras. """ from .tones import Tone return cls(tones=[ Tone.from_string("A3", system="western"), Tone.from_string("D3", system="western"), Tone.from_string("G2", system="western"), Tone.from_string("C2", system="western"), ])
[docs] @classmethod def violin(cls) -> Fretboard: """Standard violin tuning (E5 A4 D4 G3). Tuned in perfect fifths. The violin has no frets — intonation is continuous, allowing vibrato and microtonal inflections not possible on fretted instruments. """ from .tones import Tone return cls(tones=[ Tone.from_string("E5", system="western"), Tone.from_string("A4", system="western"), Tone.from_string("D4", system="western"), Tone.from_string("G3", system="western"), ])
[docs] @classmethod def viola(cls) -> Fretboard: """Standard viola tuning (A4 D4 G3 C3). A perfect fifth below the violin. The viola's darker, warmer tone comes from its larger body and lower register. """ from .tones import Tone return cls(tones=[ Tone.from_string("A4", system="western"), Tone.from_string("D4", system="western"), Tone.from_string("G3", system="western"), Tone.from_string("C3", system="western"), ])
[docs] @classmethod def cello(cls) -> Fretboard: """Standard cello tuning (A3 D3 G2 C2). An octave below the viola. Tuned in fifths. The cello spans the range of the human voice — tenor through bass. """ from .tones import Tone return cls(tones=[ Tone.from_string("A3", system="western"), Tone.from_string("D3", system="western"), Tone.from_string("G2", system="western"), Tone.from_string("C2", system="western"), ])
[docs] @classmethod def banjo(cls, tuning: Union[str, tuple[str, ...]] = "open g") -> Fretboard: """Banjo with the given tuning. Args: tuning: ``"open g"`` (default, bluegrass) or ``"open d"`` (old-time, clawhammer). The 5th string is a high drone — a defining feature of the banjo sound. Standard open G: G4 D3 G3 B3 D4 (5th string is the short high G4 drone). """ from .tones import Tone tunings = { "open g": ("D4", "B3", "G3", "D3", "G4"), "open d": ("D4", "A3", "F#3", "D3", "A4"), "double c": ("D4", "C4", "G3", "C3", "G4"), } if isinstance(tuning, str): tuning = tunings[tuning] return cls(tones=[Tone.from_string(t, system="western") for t in tuning])
[docs] @classmethod def double_bass(cls) -> Fretboard: """Standard double bass (upright bass) tuning (G2 D2 A1 E1). The largest and lowest-pitched bowed string instrument in the orchestra. Unlike the rest of the string family, the double bass is tuned in fourths (like a bass guitar) rather than fifths. The 5-string double bass adds a low B0 or C1. """ from .tones import Tone return cls(tones=[ Tone.from_string("G2", system="western"), Tone.from_string("D2", system="western"), Tone.from_string("A1", system="western"), Tone.from_string("E1", system="western"), ])
[docs] @classmethod def harp(cls) -> Fretboard: """Concert harp strings — 47 strings spanning C1 to G7. The pedal harp has 7 strings per octave (one per note name), tuned to Cb major. Pedals alter each note name by up to two semitones across all octaves simultaneously. This returns the full set of 47 strings in the default Cb (enharmonic B) tuning. """ from .tones import Tone # 47 strings: C1 to G7, one per diatonic note notes = ["C", "D", "E", "F", "G", "A", "B"] strings = [] # Start from bottom: C1 D1 E1 ... up to G7 for octave in range(1, 8): for note in notes: strings.append(f"{note}{octave}") if note == "G" and octave == 7: break else: continue break # Harp strings are high to low strings.reverse() return cls(tones=[Tone.from_string(s, system="western") for s in strings])
[docs] @classmethod def pedal_steel(cls) -> Fretboard: """Pedal steel guitar — E9 Nashville tuning (10 strings). The standard tuning for country music. The pedal steel has foot pedals and knee levers that change string pitches during play, enabling its signature swooping, crying sound. """ from .tones import Tone # E9 Nashville tuning (high to low) strings = ["F#4", "D#4", "G#3", "E3", "B3", "G#3", "F#3", "E3", "D3", "B2"] return cls(tones=[Tone.from_string(s, system="western") for s in strings])
[docs] @classmethod def bouzouki(cls, variant: Union[str, tuple[str, ...]] = "irish") -> Fretboard: """Bouzouki tuning. Args: variant: ``"irish"`` (default, GDAD) or ``"greek"`` (CFAD). The Irish bouzouki is a staple of Celtic music, usually tuned in unison or octave pairs. The Greek bouzouki traditionally has 3 or 4 courses and a brighter, more metallic sound. """ from .tones import Tone tunings = { "irish": ("D4", "A3", "D3", "G2"), "greek": ("D4", "A3", "F3", "C3"), } if isinstance(variant, str): variant = tunings[variant] return cls(tones=[Tone.from_string(t, system="western") for t in variant])
[docs] @classmethod def oud(cls) -> Fretboard: """Standard Arabic oud tuning (C4 G3 D3 A2 G2 C2). The oud is the ancestor of the European lute and the defining instrument of Arabic, Turkish, and Persian classical music. It is fretless, allowing the quarter-tone inflections essential to maqam performance. 6 courses (11 strings), typically tuned in fourths. """ from .tones import Tone strings = ["C4", "G3", "D3", "A2", "G2", "C2"] return cls(tones=[Tone.from_string(t, system="western") for t in strings])
[docs] @classmethod def sitar(cls) -> Fretboard: """Sitar main playing strings (approximation). The sitar typically has 6-7 main strings and 11-13 sympathetic strings (taraf). This models the main playing strings in a common tuning. The actual tuning varies by raga and tradition. Main strings: Sa Sa Pa Sa Re Sa Ma (approximated in 12-TET). Represented here as the most common Ravi Shankar school tuning. """ from .tones import Tone # Common Ravi Shankar tuning mapped to Western notes # (sitar is tuned relative to Sa, typically C# or D) strings = ["C4", "C3", "G3", "C3", "D3", "C2", "F2"] return cls(tones=[Tone.from_string(t, system="western") for t in strings])
[docs] @classmethod def shamisen(cls) -> Fretboard: """Standard shamisen tuning — honchoshi (C4 G3 C3). The shamisen is a 3-stringed Japanese instrument played with a large plectrum (bachi). Three standard tunings: - honchoshi (本調子): root-5th-root - niagari (二上り): root-5th-2nd (raises 2nd string) - sansagari (三下り): root-5th-b7th (lowers 3rd string) """ from .tones import Tone return cls(tones=[ Tone.from_string("C4", system="western"), Tone.from_string("G3", system="western"), Tone.from_string("C3", system="western"), ])
[docs] @classmethod def erhu(cls) -> Fretboard: """Standard erhu tuning (A4 D4). The erhu is a 2-stringed Chinese bowed instrument with a hauntingly vocal quality. Tuned a fifth apart. No fingerboard — the player presses the strings without touching the neck, allowing continuous pitch bending. """ from .tones import Tone return cls(tones=[ Tone.from_string("A4", system="western"), Tone.from_string("D4", system="western"), ])
[docs] @classmethod def charango(cls) -> Fretboard: """Standard charango tuning (E5 A4 E5 C5 G4). A small Andean stringed instrument, traditionally made from an armadillo shell. 5 doubled courses with re-entrant tuning — the 3rd course (E5) is the highest pitched, creating the charango's bright, sparkling sound. """ from .tones import Tone return cls(tones=[ Tone.from_string("E5", system="western"), Tone.from_string("A4", system="western"), Tone.from_string("E5", system="western"), Tone.from_string("C5", system="western"), Tone.from_string("G4", system="western"), ])
[docs] @classmethod def pipa(cls) -> Fretboard: """Standard pipa tuning (D4 A3 E3 A2). The pipa is a 4-stringed Chinese lute with a pear-shaped body, dating back over 2000 years. Known for its percussive attack and rapid tremolo technique. """ from .tones import Tone return cls(tones=[ Tone.from_string("D4", system="western"), Tone.from_string("A3", system="western"), Tone.from_string("E3", system="western"), Tone.from_string("A2", system="western"), ])
[docs] @classmethod def balalaika(cls) -> Fretboard: """Standard balalaika prima tuning (A4 E4 E4). The Russian balalaika has a distinctive triangular body and 3 strings. The two lower strings are tuned in unison — a unique feature that gives it a natural chorus effect. """ from .tones import Tone return cls(tones=[ Tone.from_string("A4", system="western"), Tone.from_string("E4", system="western"), Tone.from_string("E4", system="western"), ])
[docs] @classmethod def keyboard(cls, keys: int = 88, start: str = "A0") -> Fretboard: """Piano or keyboard with the given number of keys. Args: keys: Number of keys (default 88 for a full piano). Common sizes: 25, 37, 49, 61, 76, 88. start: The lowest note (default ``"A0"`` for standard piano). A full 88-key piano spans A0 (27.5 Hz) to C8 (4186 Hz) — the widest range of any standard acoustic instrument. Smaller MIDI controllers typically start at C. Examples:: Fretboard.keyboard() # 88-key piano Fretboard.keyboard(61, "C2") # 61-key controller Fretboard.keyboard(25, "C3") # 25-key mini controller """ from .tones import Tone start_tone = Tone.from_string(start, system="western") tones = [] for i in range(keys - 1, -1, -1): tones.append(start_tone.add(i)) return cls(tones=tones)
[docs] @classmethod def lute(cls) -> Fretboard: """Renaissance lute in G tuning (6 courses). The European lute was the dominant instrument of the Renaissance (15th-17th century). Tuned in fourths with a major third between the 3rd and 4th courses — the same intervallic pattern as a modern guitar. """ from .tones import Tone strings = ["G4", "D4", "A3", "F3", "C3", "G2"] return cls(tones=[Tone.from_string(t, system="western") for t in strings])
[docs] @classmethod def twelve_string(cls) -> Fretboard: """12-string guitar in standard tuning. The lower 4 courses are doubled at the octave; the upper 2 are doubled in unison. This creates the characteristic shimmering, chorus-like sound. Represented as 12 strings (high to low, pairs together). """ from .tones import Tone strings = [ "E4", "E4", # 1st course (unison) "B3", "B3", # 2nd course (unison) "G4", "G3", # 3rd course (octave) "D4", "D3", # 4th course (octave) "A3", "A2", # 5th course (octave) "E3", "E2", # 6th course (octave) ] return cls(tones=[Tone.from_string(t, system="western") for t in strings])
[docs] def scale_diagram(self, scale, frets: int = 12, chord=None) -> str: """Render an ASCII diagram showing where scale notes fall on the neck. Each string is shown with note names on frets where scale notes appear. When a *chord* is provided, its tones are shown in UPPERCASE and scale-only tones in lowercase, making chord tones visually distinct from passing tones. Args: scale: A Scale object (or anything with a ``note_names`` attribute). frets: Number of frets to display (default 12). chord: Optional Chord object. Its tones are highlighted in uppercase; other scale tones appear in lowercase. Returns: A multi-line string showing the fretboard diagram. Example:: >>> fb = Fretboard.guitar() >>> pentatonic = TonedScale(tonic="A4")["minor"] >>> print(fb.scale_diagram(pentatonic, frets=5)) >>> # Highlight Am chord tones within the scale: >>> am = Chord.from_symbol("Am") >>> print(fb.scale_diagram(pentatonic, frets=5, chord=am)) """ scale_notes = set(scale.note_names) chord_notes = set() if chord is not None: chord_notes = {t.name for t in chord.tones} max_name = max(len(t.name) for t in self.tones) lines = [] header_parts = [] for f in range(frets + 1): header_parts.append(f"{f:>2} ") header = " " * (max_name + 2) + " ".join(header_parts) lines.append(header) for tone in self.tones: fret_marks = [] for f in range(frets + 1): note = tone.add(f) if note.name in scale_notes: if chord_notes and note.name in chord_notes: fret_marks.append(f" {note.name.upper():<2s}") elif chord_notes: fret_marks.append(f" {note.name.lower():<2s}") else: fret_marks.append(f" {note.name:<2s}") else: fret_marks.append(" - ") line = f"{tone.name:>{max_name}}|{'|'.join(fret_marks)}|" lines.append(line) return "\n".join(lines)
[docs] def chord(self, name: str, *, system: str = "western") -> "Fingering": """Look up a chord by name and return its best fingering. Args: name: Chord name like ``"G"``, ``"Am7"``, ``"Bb"``, ``"Dm"``. system: Tonal system to use (default ``"western"``). Returns: A :class:`Fingering` for that chord on this fretboard. Example:: >>> fb = Fretboard.guitar() >>> fb.chord("G") Fingering(e=3, B=0, G=0, D=0, A=2, E=3) """ from .charts import CHARTS return CHARTS[system][name].fingering(fretboard=self)
def __getitem__(self, name: str) -> "Fingering": """Shorthand for :meth:`chord` — ``fb["G"]`` equals ``fb.chord("G")``. Args: name: Chord name like ``"G"``, ``"Am7"``, ``"Bb"``. Returns: A :class:`Fingering` for that chord on this fretboard. Example:: >>> fb = Fretboard.guitar() >>> fb["G"] Fingering(e=3, B=0, G=0, D=0, A=2, E=3) """ return self.chord(name)
[docs] def tab(self, name: str, *, system: str = "western") -> str: """Look up a chord by name and return its ASCII tablature. Args: name: Chord name like ``"G"``, ``"Am7"``, ``"Bb"``. system: Tonal system to use (default ``"western"``). Returns: A multi-line string showing the chord as tablature. Example:: >>> fb = Fretboard.guitar() >>> print(fb.tab("Am")) A minor e|--0-- B|--1-- G|--2-- D|--2-- A|--0-- E|--0-- """ return self.chord(name, system=system).tab()
[docs] def chart(self, *, system: str = "western") -> dict: """Generate fingerings for every chord in the given system. Returns: A dict mapping chord names to :class:`Fingering` objects. Example:: >>> fb = Fretboard.guitar() >>> chart = fb.chart() >>> chart["Am7"] Fingering(e=0, B=1, G=0, D=2, A=0, E=0) """ from .charts import charts_for_fretboard, CHARTS return charts_for_fretboard(chart=CHARTS[system], fretboard=self)
[docs] def fingering(self, *positions: int) -> "Fingering": """Apply fret positions to each string, returning a Fingering. Each position value is added (in semitones) to the corresponding open-string tone. The number of positions must match the number of strings. Args: *positions: One integer per string indicating the fret number. Returns: A :class:`Fingering` labeled with string names. Call ``.to_chord(fretboard)`` or use the resulting chord directly. Raises: ValueError: If the number of positions doesn't match the number of strings. """ from .charts import Fingering if not len(positions) == len(self.tones): raise ValueError( "The number of positions must match the number of tones (strings)." ) string_names = tuple(t.name for t in self.tones) return Fingering(positions, string_names, fretboard=self)
[docs] def analyze_progression(chords: list[Chord], key: str = "C", mode: str = "major") -> list[str | None]: """Analyze a list of chords and return their Roman numeral functions. Example:: >>> chords = [Chord.from_name("C"), Chord.from_name("Am"), Chord.from_name("F"), Chord.from_name("G")] >>> analyze_progression(chords, key="C") ['I', 'vi', 'IV', 'V'] """ return [c.analyze(key, mode) for c in chords]